Spoiler Warning: Plot details follow, read at your own risk.

Herschel Biggs
Information
Gender	Male
Affiliation(s)	USMC (Formerly) LAPD Cole Phelps Jack Kelso Lachlan McKelty Albert Lynch
Status	Alive
Birth	1892 (age 55}
Weapon(s)	.38 Detective Revolver
Actor	Keith Szarabajka

Herschel Biggs is a central character in L.A. Noire. He is Cole Phelps final partner upon Phelps' demotion to the Arson desk from Vice.

BiographyEdit

BackgroundEdit

Biggs was born in 1892 and grew up poor, as he remarks that all he wanted as a kid was food on the table. Biggs served in the Marines. At Belleau Wood in 1918, during World War I, his unit was trapped in a barn, which was destroyed, presumably by German flamethrowers, traumatizing Biggs.

During his time in the LAPD, Biggs had actively refused to have a partner, preferring to work alone. This attitude gave him his reputation as a "social basket case" amongst fellow detectives and superiors. While working arson cases Biggs briefly became affiliated with Jack Kelso, an insurance claims investigator.

Events of L.A. NoireEdit

TrafficEdit

Biggs and Phelps first crossed paths when Cole was welcomed to the Traffic desk and introduced to his partner Stefan Bekowsky. Biggs pushed past Cole roughly, ignoring him, as he crossed the room. Cole remarked "What's his problem?" to which he's simply told "That's Biggs, he's an institution."

ArsonEdit

After Phelps was demoted from Vice to Arson, he was partnered with Biggs. His partnership with Phelps was forced on him by his Captain, Lachlan McKelty. Displeased with this arrangement, he was unfriendly and reticent toward Phelps when they are initially paired together. Biggs also showed Phelps very little sympathy or respect because of his affair with Elsa Lichtmann.

While investigating the Steffens and Sawyer house fires, Phelps began to suspect and reason that the fires were connected. However, Biggs merely rebuked Phelps' suspicions as feeble attempts to restore his personal glory and heroism.

Nonetheless, they solved the case which ended with Matthew Ryan's arrest. While investigating another house fire, Biggs was visibly disturbed by the sight of the remains of the Morelli family, after the coroner refering to the charred remains of the family as "evidence", Biggs replies to him the same way in a disturbed tone "Evidence!", and runs out of the room. Biggs confided in Phelps his experiences at Belleau and vowed to kill the arsonist for the murder of the families.

After investigating Rancho Escondido, a housing development that burned down, Biggs and Phelps began to suspect a link of the arsons to Elysian Fields Development and went to question Leland Monroe. However both Phelps and Biggs were later given threats (from Roy Earle and McKelty, respectively) to not investigate in Monroe's affairs, at this point both were able to settle their differences in order to close the case. They began to get along, work more cooperatively, trust and confide in one other.

They found out that known pyromaniac Herbert Chapman had been working as a waybill for Elysian Fields, handing out the promotional pamphlets to the areas with the house fires. They went to arrest Herbert, who fled, stealing a trolley. He eventually crashed the trolley, and was killed in a shootout with Phelps and Biggs.

Unfortunately, Phelps and Biggs' investigation came to an abrupt halt, due to corruption and the influences of Monroe. However, thanks to Jack Kelso's own effort, the three discovered the conspiracy behind Monroe and the Suburban Redevelopment Fund.

Biggs and Phelps witnessed the Nicholson Electroplating Plant explosion from a safe distance. Their investigation of the explosion ultimately discovered the corrupt deeds of retired Vice Detective Vernon Mapes and ended with a shootout. McKelty praised both Biggs and Phelps for not only solving the case but for also putting an end to the notorious corrupt cop Mapes.

After discovering the murdered body of Courtney Sheldon, Biggs stood back as Phelps confronted Roy Earle in Sheldon's defense. Biggs developed new found respect for Phelps for standing up against the corrupted. Like Phelps, Biggs highly disliked Roy Earle, once calling him "an asswipe". The two moved on to investigate the murder of Dr. Harlan Fontaine, within his office they discovered that the SRF's true goal was extortion not by insurance but through eminent domain.

EndingEdit

Biggs and Phelps arrived to Jack's aid in order to save Elsa and apprehend the true arsonist. They were able to defend Jack from corrupt police chief William Worrell and arrived at the tunnel entrances. Phelps and Kelso entered the tunnel system while Biggs secured their exit. After pulling Kelso and Elsa safely out of the tunnel, Biggs and the others were too late to save Cole who simply uttered a final goodbye before being killed by a violent torrent of water.

Biggs attended Cole's funeral. While listening to Phelps' eulogy by Earle, Elsa stormed out visibly upset, prompting Biggs to go after her to console her. As he left, Biggs tells Kelso that "Kelso was never Phelps' friend", Kelso then replies "I was never his enemy." Biggs told Kelso he felt that Phelps knew that.

PersonalityEdit

Biggs was described as a "social basket case", mainly because of recluse and solitary style of work, hence is generally disregarded or treated like an outsider. Biggs is likely to have had a difficult life, from his poor upbringing to his experiences during the first World War, subsequently causing personal and emotional problems. Another reason for his lone nature is because Biggs has little concern for the rest of the force, mainly to avoid corruption and remain politically inactive.

Despite his flaws, Biggs is an experienced and proficient detective. He is widely adept and knowledgeable in investigating arson and mostly committed to his work. Before partnering with Phelps, Biggs had a close working relationship with Albert Lynch, whom he also had great respect for. Biggs' partnership with Phelps helps Biggs evolves both as a character and as a detective, giving him the confidence to fight and stand up to corruption.

VehicleEdit

Biggs owns a two-tone green Hudson Commodore - and by the game's setting in 1947 - the car is brand new. Biggs presumably bought the car himself and had it made his service police vehicle.

Case AppearancesEdit

PatrolEdit

• "Upon Reflection" (Voice)
• "Armed and Dangerous" (Voice)
• "Warrants Outstanding" (Voice)
• "Buyer Beware" (Voice)

TrafficEdit

• "The Driver's Seat"

ArsonEdit

• "The Gas Man"
• "A Walk in Elysian Fields"
• "Nicholson Electroplating"
• "A Different Kind of War"

Street Crimes (Arson)Edit

• "Accident Prone"
• "Bus Stop Shooting"
• "Cafe Holdup"
• "Hot Property"
• "Paper Sack Holdup"

TriviaEdit

• At 55, Herschel is the oldest partner that Phelps gets to work with.
• Herschel is older than his superior officer, Captain Lachlan McKelty.
• Herschel smokes cigarettes heavily.
• Herschel's badge number is 525, as revealed in "Nicholson Electroplating".
• He is the only partner that does not appear in every case in their department, since he does not appear in House of Sticks and A Polite Invitation, the two cases played as Jack Kelso.
• As "Herschel" is a Jewish name, he is likely of Jewish descent.
• He is the only partner who has known war experience, as he served in the 2nd Marines during World War I.
• He states to Cole that he had never fired his weapon in the line of duty until he and Phelps became partners.
• He is Cole's last partner before his death.
• Biggs is the first partner unveiled at the earliest L.A Noire trailer. Note the different voice actor.

GalleryEdit

Artwork of Biggs, investigating the Morelli house fire.

Biggs in his Hudson Commodore.

Biggs, astounded by the destruction at the Nicholson Electroplating Plant.

Biggs sitting with Ivan Rasic.

Biggs with Phelps.

Biggs and Phelps, arrving at the scene of the Morelli house fire.

Biggs with Phelps.

Biggs' orginal model.

Looks like Biggs was very interested in the Spruce Goose that he wanted to become one.

Biggs, as he appears in the earliest L.A Noire trailer

Another shot of Biggs from the trailer, establishing a perimeter amongst a crowd of people

Add an image to this galleryAdd an image to this gallery